Finally! I can stop seeing this damned trailer.
If anyone frequents the cinemas even half as much as I do, then you’re probably somewhat passably familiar with this film’s existence, but no matter how much time went by, it was never released. As I understand it, KIDNAP has a bit of a shaky history, financially speaking. According to shadowandact.com, the film has been in the works since 2014 and was supposed to be released in 2015. But the distribution company Relativity Media filed for bankruptcy that year, meaning that the film couldn’t be released. Relativity has since reemerged, but still not quite out of the sticks. This movie was pushed back to a February 2016 release, but that got pushed to May… then that got pushed to December… only to be pushed back again to March 10 of 2017. Jesus, I’m frustrated just from writing this out. I can’t imagine how the cast and crew must be feeling. But GUESS FREAKIN’ WHAT?! When March 10 came around, guess whose alarm didn’t go off that day? You guessed it, KIDNAP wasn’t released as planned! What the actual story is behind that latest push, I have no idea, but my excuse of “oversleeping” is much more humorous.
Well, assuming that this movie is going to be released… which, if you’re reading this review, then it must have, what are my thoughts? Aside from “finally, I can stop seeing this trailer?” It… could be alright. On the one hand, if it doesn’t take itself too seriously and is just an action movie for suburban housewives to see a garden-variety middle-class mother go mama-bear on a bunch of assholes who kidnap her son, then this could at the very least be entertaining. On the other hand, if it takes itself a little too seriously, then it probably won’t be very good. Halle Berry hasn’t had the best track record in recent years. Sure, X-MEN: DAYS OF FUTURE PAST (2014) is arguably the best X-Men movie, but not really because of her. In fact, her role was pretty small. Her last good movie was arguably X2: X-MEN UNITED (2003). Was her TV show EXTANT good? I never saw it. CLOUD ATLAS (2012)? Was she the reason it was well-received? THINGS WE LOST IN THE FIRE (2007)? Never heard of it. My point is, she’s more associated with MOVIE 43 (2013), NEW YEARS EVE (2011), and X-MEN: THE LAST STAND (2006), none of which were considered good. Though, I’m sure by comparison, LAST STAND is Shakespeare when stacked next to MOVIE 43. Who knows where KIDNAP is going to rank.
Well, let’s take a gander at the cast. I’ve already prattled on about Berry enough, who also produced the film, so… let’s go to support. We have Sage Correa (1 episode stints on TV shows UNCLE BUCK and LIFE IN PIECES), Lew Temple (DESIERTO , THE LONE RANGER , and TV show THE WALKING DEAD), and Chris McGinn (a bit role in TV show ORANGE IS THE NEW BLACK).
Now for the crew. Directing, we have Luis Prieto, known for unknown projects. Writing the script, we have Knate Lee, who will be writing the upcoming film X-MEN: THE NEW MUTANTS (2018). Composing the score is Federico Jusid, known for EL SECRETO DE SUS OJOS (2009 – translated: THE SECRET IN THEIR EYES). Finally, the cinematographer is Flavio Martínez Labiano, known for THE SHALLOWS (2016), NON-STOP (2014), and UNKNOWN (2011).
Overall, not excited for it, but… yeah, thank God I don’t have to see the trailer anymore.
This is my honest opinion of: KIDNAP
Karla Dyson (Halle Berry) is a single mother trying to make ends meet and take care of her young son Frankie (Sage Correa). After work one day, she takes him to the local fair and have fun. However, things take a turn for the worst as she takes a phone call and finds that her son has been abducted. Seeing the kidnappers take him away, she begins to chase after them in her own car, refusing to give up on saving her son.
It’s not good. Four-ish years of trying to get it released and this is the result. By no means awful, but it’s not as good as it could have been.
The set-up is pretty obvious, leave your kid alone for a few minutes and he gets kidnapped. Go figure. I suppose the only refreshing thing is that this movie’s main selling point is that she’s constantly following the kidnappers. Still, a better movie about kidnapped kids would be PRISONERS (2013).
I think it’s nice to see that Karla doesn’t ever really give up, even when it’s obvious it’d be at a point where in any other movie she would. Instead, she’ll drive across a field and luckily end up on the right highway to continue her chase. So the movie is definitely loaded with conveniences. I do enjoy watching how the movie is smart enough to keep throwing obstacles in Karla’s way, like finding a cop who gets axed off, or increasingly low fuel, it’s not horribly structured. And Berry is trying her best to make this performance work and it works sometimes.
Sadly, there aren’t a ton of good things to talk about. Because there’s far too many over-the-top moments; driving in reverse on the freeway without even so much as a scratched up paint job, it’s a wonder why this movie didn’t go for a more fun route. With a structure similar to SPEED (1994), all that was missing was a charismatic actor to go with it. Don’t get me wrong, Berry is a great actress when given the right material, but I feel like her character would have worked better if she was a little more bad-ass. Instead, Karla is a little annoying because too much of her dialog is, “Oh god!” or “I’m coming, baby! I’ll never lose you, baby!” Hell, even the everywoman angle could have passably worked if the script was smart enough to take a page out of MAD MAX: FURY ROAD (2015) and just have her act with her expressions. We know she’s a woman who will not give up getting her son, so constantly talking to herself out loud isn’t going to make her character seem more determined.
I also find the police terribly incapable at their jobs here. There is a series of intense car collisions happening and the cops keep either being stupid and put themselves in a situation to get killed, pull over the wrong cars over the radio, it’s shocking to see this shit play out the way it does.
Dialog that’s cringeworthy, stupid character decisions, and even subplots that go nowhere, it won’t be a shock if this movie isn’t received well or do well at the box office. It’s a shame because Berry’s had a rough few years cinematically. Here’s hoping that Kingsman 2 will give her more opportunities in the future. Not recommended. A rental at best.
My honest rating for KIDNAP: a weak 3/5