WONDER review

I feel like I’ve been seeing a bit of a rotation between the same kid actors lately. I don’t know, does anyone else feel that way?

Eh, who cares? A good story is all that matters.

WONDER is based on a 2012 children’s novel of the same name, written by R.J. Palacio, that went on to become a New York Times best seller… like every other movie based from that list. The book is obviously well-received and went on to spawn a spin-off, 365 Days of Wonder, and a sequel, Auggie and Me. At least… I think that’s what they are. Information is a little inconsistent and I know I won’t make the time to find them in a bookstore to confirm. In any case, there’s your history. You bookworms can correct my information as you see fit.

Now, being the uncultured swine that I am, I’ve obviously never even heard of these books. But I go to the movies pretty frequently, hence I see a bunch of trailers, and I have a vague idea of what the movie is about. It looks like it’s about this young boy who has a physical deformity and gets made fun of at school. But at least one kid is kind enough and they strike up a friendship. Basically it looks like it’s a story about acceptance of those that are different and an exploration of the life and times of a kid with this kind of condition.

Here’s the cast. We have the incredibly talented up and coming young star, Jacob Tremblay (THE BOOK OF HENRY [2017], ROOM [2015], THE SMURFS 2 [2013], and the upcoming THE PREDATOR [2018]), Julia Roberts (SMURFS: THE LOST VILLAGE [2017], CHARLIE WILSON’S WAR [2007], and MY BEST FRIEND’S WEDDING [1997]), and Owen Wilson (CARS 3 [2017], NIGHT AT THE MUSEUM [2007], ANACONDA [1997], and upcoming films FATHER FIGURES [2017] and SHANGHAI DAWN, no release date announced). In support, we have Noah Jupe (SUBURBICON [2017], 1 episode of TV show PENNY DREADFUL [2014 – 2016], and upcoming films THE TITAN [2018] and HOLMES AND WATSON [2018]), Bryce Gheisar (A DOG’S PURPOSE [2017]), Izabela Vidovic (HOMEFRONT [2013], and TV show: 2 episodes of SUPERGIRL [2015 – ongoing] and 10 episodes of ABOUT A BOY [2014 – 2015]), Elle McKinnon (TV projects I’ve never heard of), and Daveed Diggs (3 episodes of UNBREAKABLE KIMMY SCHMIDT [2015 – ongoing], 9 episodes of TV show BLACK-ISH [2014 – ongoing], 10 episodes of THE GET DOWN [2016 – 2017], and upcoming films FERDINAND [2017] and BLINDSPOTTING [2018]).

Now for the crew. Directing and co-writing the script is Stephen Chbosky, known for THE PERKS OF BEING A WALLFLOWER (2012), writing the screenplay for BEAUTY AND THE BEAST (2017), and creator of TV show JERICHO (2006 – 2008), and the upcoming PRINCE CHARMING, no release date announced. Chbosky’s partners-in-pen, making for a red flag total of three writers are Steve Conrad (UNFINISHED BUSINESS [2015], THE SECRET LIFE OF WALTER MITTY [2013], and THE PURSUIT OF HAPPYNESS [2006]) and Jack Thorne (a bunch of unknown TV projects and the upcoming comic adaptation, THE SANDMAN, no release date announced). Composing the score, we have Marcelo Zarvos, known for FENCES (2016), THE GOOD SHEPHERD (2006), and TV show THE BIG C (2010 – 2013). Finally, the cinematographer is Don Burgess, known for SAME KIND OF DIFFERENT AS ME (2017), ENCHANTED (2007), CONTACT (1997), and the upcoming AQUAMAN (2018).

Overall, I think this movie can easily be good, but risks being just a little too obvious and probably won’t go as far as it can go, if what I read about the book is true. I’ll likely explain myself in the review. Mean time…

This is my honest opinion of: WONDER

(SUMMARY)

August “Auggie” Pullman (Jacob Tremblay) was born with a genetic defect that required several surgeries to allow him to see, hear, and speak properly. Though he lives life as normally as possible, he is left with a disfigured face and scars. Still, he a nice kid and is transitioning from homeschooling with his mom Isabel (Julia Robberts) to his first day in middle school at a public school, much to the concerns of his loving father, Nate (Owen Wilson). Though his first day is rough, he does eventually start adjusting to life in school, and we learn about the lives around him as well.

(REVIEW)

I think this is one of the sweetest movies I’ve seen all year.

Say what you want about THE BOOK OF HENRY, I think Tremblay is a on a winning streak. This kid is such a good actor and he cranks it up ROOM levels here. Auggie is a sweet kid who struggles with his handicaps, looking down to avoid eye contact, is mostly quiet, but he’s funny, charming, weird and gross, you know, like every kid his age. But as much as he has his fun, he’s still hurt by the name calling and the things kids say behind his back. Kids have said that if anyone touches him, they get the plague. Another says he’d kill himself he looked like Auggie. Not to mention the bullying from Julian (Bryce Gheisar). As someone who was bullied in school as well (albeit a bit more mildly than Auggie), I get his mannerisms. An unwillingness to talk, about the specific problems or in general, looking down avoiding eye contact, which I still do as a twenty-eight year old adult, keep to myself, few friends, there’s a lot that I personally relate to and Auggie will definitely tear your hear out, and I mean that in the best possible way… if you couldn’t tell.

And the rest of the cast does really well too. You can argue that the characters may not be all that interesting, but I would argue that this isn’t meant to have the deepest characters, just good and likable. That’s exactly what we’re given. Roberts as Isabel and Wilson as Nate are both so likable as loving parents. I especially like the moment when Auggie comes out with Jack Will (Noah Jupe) at the end of school and Isabel is completely dumbfounded. When Auggie asks her if it’s okay if he comes over to their house, she’s all like, “Okay… I have got to be cool.” I don’t know, I love seeing that in parents, who are actively aware of how they present themselves to their kids’ friends. It tickles me.

I think if there’s any character outside of Auggie that really had some complexity was Via (Izabella Vidovic). While an incredibly loving sister to her younger brother, she’s still affected by a surprisingly honest sense of jealousy of her parents devoting so much of their attention to Auggie, rather than her. Thing is, I’m probably making it sound more mean-spirited than it is, but I like that about her. She knows why her parents show him more attention because he’s the one who has to live with his face and how many kids may make fun of him for it. She is incredibly understanding, but it sure does come at its own cost. She’s left out of simple conversations of just being asked how her day went at school, to bigger things like whether or not she should invite her parents to the school play that she auditioned for. But she never succumbs to being a rebel, changing her look to get attention, doesn’t act out beyond normal teen angst, she’s just a kind, sweet girl that wishes she could be afforded the same attention her brother gets. Also, her best friend Miranda (Danielle Rose Russell) totally ignores her at school, which drives her into a tailspin. She also gets into a cute relationship with Justin (Nadji Jeter), the “theater nerd” that motivates her to audition for the school play, which Miranda is also in. In retrospect, Via might be the best character in the movie. She may get a great deal of screen time, but I almost wouldn’t mind a spin off movie with just her.

***SPOILERS***

 

 

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There are even moments that I feel like I should be outraged with and call “foul and unrealistic,” but even that doesn’t seem to be too far off from reality. Specifically, after Julian is brought to the principal’s office for his mean photo toward to the end of the movie; the photo that photoshopped out Auggie in the class picture and then wrote “No freaks allowed” on it. His parents are called in, clearly rich and pompous people. The mom admits to doing the photoshop herself. First off, there’s no way on God’s green Earth that this woman has any idea how to use anything related to computers. She probably only knows how to check her email for the next business meeting that will raise money for rich people, or whatever. Second, she claims she did it because she wanted the people that visit their home to ask about their son, not Auggie. Um… is this a common thing for this family? Do guests look at the class photo, take one look at Auggie and spend the duration of their stay asking questions about that boy? I have a hard time believing that. Even if that were the case, then maybe they should take a hard long look at their lives and accept that maybe the reason why they’re asking about Auggie more than their own son is because their family isn’t very interesting and their son is an uninteresting suck-up.

 

I wanted to be so mad at how these parents treated the situation, fueling their son’s cruel habits, and even blaming Auggie for their son’s actions without holding him accountable for anything. But the more I thought about it… no, that’s exactly what parents to these types of kids do. They’re high off of believing that they’re the perfect family and that they have no problems to speak of. But when the first problem rears its ugly head, they deny it, or try to pass it off as someone else’s problem that got in the way of their perfection.

 

My only real issue with this scene is that we see Julian’s guilt over the photo. Thing is, we never see him act guilty over anything he does, so his humanity is pulled out of nowhere, which is pretty clunky. If we were occasionally shown moments of him feeling bad about his actions, this would make more sense. Heck, none of this even explains where the bullying comes from. Sure, one would think the more vicious bullying, like direct name calling, would be a result of borderline abusive parents who insult their own child. Not unlike physical abuse, the whole point is to feel empowered over someone smaller and weaker, which Julian is clearly doing. But his parents strike me more like the absentee types that never show him the love that most parents show their kid. So I would imagine his type of bullying would be more akin to subtly talking down to him and proclaiming how rich he is and how much better he is, rather than putting him down like he does in the movie. Something more subtle and snobbish, rather than verbal attacks. But hey, I’m no psychologist. Maybe bullying of any kind can come from any number of sources. I just didn’t buy the connections here.

 

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***END SPOILERS***

Unfortunately, the most glaring problem, which honestly isn’t even all that big, that I have with the film is that there’s characters that are introduced, and get nice enough backstories, but we’re still not privy to who they actually are. Specifically, I mean Miranda. I like her backstory, that she was a close friend of Via’s when they were little and looks to the Pullman family as her second family, but when she went to camp over the summer, she wasn’t fitting in, or whatever the case was, and decided to pretend that she was Via. She claimed to the others around her that she had a disfigured brother and suddenly became really popular. But when she got back, she had made new friends, and was ridden with guilt upon meeting Via again, having spent months pretending to be her. Russell is certainly a charismatic enough actress to carry the role, but we never really see Miranda and Via make up as friends. It literally happens out of the blue. In a lot of ways, I wish we’d gotten more of her and her relationship with the protagonist family. It’s more of a case of being told her relationship to the Pullman family, rather than being shown the relationship.

In fact, that’s kind of a smaller issue with other characters as well. In the beginning of the story, we’re introduced to three other kids, Jack Will, Julian, and Charlotte (Elle McKinnon). At a glance, it’s like the movie is saying that these three kids, as well as Auggie, are going to be the most central to the story. While that’s true for Jack Will and Julian, I was a little bummed out that Charlotte wasn’t as central. Why? Because she was actually kind of funny. She’s this little girl who acted in commercials and is totally prideful about it, but not in a mean-spirited way. Just in an overly-proud kind of way. She’s not stuck-up, she just did something “famous-related” and is boasting, but she’s not an unlikable kid. In fact, throughout the film, she has a sort of admiration for Auggie and doesn’t like it when the other girls talk mean about him. It’s a shame she kind of gets thrown to the wayside for Summer (Millie Davis). Don’t get me wrong, Summer is a nice enough character and Davis is a good enough actress, but the character could have so easily been Charlotte that it’s a wonder why she wasn’t.

***SPOILERS***

 

 

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Also, did the movie ever really explain why Jack Will said that mean thing about killing himself if he looked like Auggie? I mean, I didn’t read the book, but I read about it online and he said what he said because he was just trying to be friends with Julian and he wanted to fit in by saying what they say. But this movie completely sidesteps that. They just get on MINECRAFT and apologize and that’s it. Maybe that fight between Jack Will and Julian softened Auggie’s edges, but it was still a mean-spirited moment that barely has a resolution. But I guess that fight and the surprisingly effective guilt-ridden face on Jack Will’s face after learning that Auggie was in the Ghost Face costume when he said what he said was enough.

 

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***END SPOILERS***

Overall, this was a cute film. Tremblay is still a wonderful talent, Vidovic knocks it out of the park as the sister, Roberts and Wilson are ridiculously enjoyable and heartfelt, and the support kids do a great job as well. Some likable characters don’t get enough screen time in my opinion, and some things are explained in a clunky kind of way, but the movie definitely lives up to the name, so I highly recommend it. I might even consider owning it on Blu-Ray when the time comes. This movie doesn’t blend in with other kids films because it was made to stand out.

My honest rating for WONDER: a strong 4/5

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THE BOOK OF HENRY review

What the hell is this movie?! The advertising for this flick is beyond misleading. Oh, as of this moment while I’m writing, I haven’t seen the movie, but… seriously! The trailer starts off like a gender-swap GIFTED (2017). The kid is a genius who handles the taxes of the house, his mom works as a server and plays video games, and… pretty sure the younger brother is just cute pandering. The boy meets a girl he likes at school and then things go dark. Like… schoolgirl’s step-father may be abusive, dark. Like… end the trailer with the mom holding a sniper rifle, dark.

And then one of the film’s poster looks like this!

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There’s sniper rifles in this movie, kids! Be confused! Be very confused! But all that being said, I’m excited for this movie. It looks like it could be so insane that it’s entertaining.

Well, here’s a look at the cast. Starring, we have Jaeden Lieberher (MIDNIGHT SPECIAL [2016], ALOHA [2015], and ST. VINCENT [2014]), Naomi Watts (CHUCK [2017], the Divergent Series ALLEGIANT [2016], EASTERN PROMISES [2007], and the upcoming direct-to-TV Divergent Series ASCENDANT, due out… who knows when), Jacob Tremblay (SHUT IN [2016], ROOM [2015], THE SMURFS 2 [2013], and the upcoming THE PREDATOR [2018]), and Maddie Ziegler (1 episode of PRETTY LITTLE LIARS, 1 episode of DROP DEAD DIVA, and the upcoming animated French-Canadian film LEAP! [2017]). In support, we have Sarah Silverman (POPSTAR [2016], A MILLION WAYS TO DIE IN THE WEST [2014], WRECK-IT RALPH [2012], and upcoming films BATTLE OF THE SEXES [2017] and Disney’s animated RALPH BREAKS THE INTERNET: WRECK-IT RALPH 2 [2018]), Dean Norris (FIST FIGHT [2017], SECRET IN THEIR EYES [2015], TV show BREAKING BAD, and the upcoming DEATH WISH [2017]), and Lee Pace (GUARDIANS OF THE GALAXY [2014], LINCOLN [2012], and TV show PUSHING DAISIES).

Now for the crew. Directing is Colin Trevorrow, known for JURASSIC WORLD (2015), SAFETY NOT GUARANTEED (2012), and the upcoming as-of-yet-titled STAR WARS EPISODE IX (2019). Penning the screenplay is Gregg Hurwitz, known for 7 episodes of TV show V. Composing the score is the awesome Michael Giacchino, known for ROGUE ONE (2016), INSIDE OUT (2015), MISSION: IMPOSSIBLE – GHOST PROTOCOL (2011), and upcoming films SPIDER-MAN: HOMECOMING (2017) and WAR FOR THE PLANET OF THE APES (2017). Finally, the cinematographer is John Schwartzman, known for FIFTY SHADES DARKER (2017), THE AMAZING SPIDER-MAN (2012), THE GREEN HORNET (2011), and upcoming films FIFTY SHADES FREED (2018) and STAR WARS EPISODE IX.

Overall, yeah, kind of excited, but more curious to see just how weirdly bad this movie gets. I’m just hoping for some entertainment, not expecting a good story.

This is my honest opinion of: THE BOOK OF HENRY

(SUMMARY)

Eleven-year-old Henry (Jaeden Lieberher) is smart. Gifted. He lives with his loving single mother Susan (Naomi Watts) and his younger admiring brother Peter (Jacob Tremblay). Henry also has a crush on his neighor, Christina (Maddie Ziegler), whom he starts to believe is being abused by her police chief commissioner step-father Glenn (Dean Norris). However, his efforts to trying to save her are constantly thwarted due to Glenn’s status and his age. But as he starts to put an elaborate plan together to save Christina, things go horribly wrong for Henry.

(REVIEW)

Oh man, don’t hate me, y’all, but… I kinda like this movie. I hesitate to say it’s good, but I really like a lot that I saw. Yes yes, the tone is inconsistent as hell, but I barely care.

So yeah, the movie starts off about as… well it actually starts off pretty obnoxious. You have an intellectually gifted kid who’s only with his peers because he thinks it would help him develop more appropriately, yet when he’s supposed to talk to the class about what he wants his legacy to be and the other kids are doing what the assignment calls for, he gets so annoyingly dramatic and is all like, “I don’t put stock in legacy. It’s not about what we do. It’s about who we surround ourselves with. Our friends and family.” I winced in pain from that. But honestly, my problems with the movie end there.

From this point on, it’s a long series of character and relationship development that I honestly got really hooked by. Henry likes to make contraptions. He’s a somber kid, loves his mother and brother, fiercely loyal to them, and even has a cute battle-of-attitudes with Susan’s best friend and co-worker Sheila (Sarah Silverman). Susan is a single mom, but all the household responsibilities are taken over by Henry. He pays the bills, handles bonds, banking, all that stuff while she comfortably sits around playing video games. And for the record, Naomi Watts playing GEARS OF WAR (2006) is the greatest cinematic gift to the world since a bearded, witch-hunting, flaming-sword wielding Vin Diesel. She’s deeply loving toward her two sons and has a cute relationship with Christina, though I could have done without their complicated hand-shake. Peter is… well, okay, he’s the cute-pandering kid who’s there to be adorable, but even he has some character traits. He wants to be an inventor like Henry, even though this doesn’t really amount to anything later on in the movie, and loves spending time with Henry. I love these characters and their relationship toward one another. It’s cute and it’s engaging. I loved it.

And speaking of Watts, I thought she was SO GOOD in this movie! There’s not one moment where I didn’t believe her acting. Every scene, from the happy mother, to the emotional, to the grieving, to the bad-ass, I bought everything. Sure, there’s a lot of shit that was way too convenient, like Henry overhearing an illegal weapons transaction in a gun store where a shady man drops the name of a shady character and uses that later on in the story, but whatever, the pay off was fun, making the ending feel even more victorious and Watts knocks it out of the park for me. I laughed and cried with, and cheered for her as a woman who has to learn how to learn to find confidence in herself and learn to do things on her own. It’s a nice character arch. Of course, now that I’m typing this out, everything that I’m talking about is probably the very reason why this movie is getting such low ratings and negative reviews. What kind of mother lets her eleven-year-old son do all the important housework and she literally does nothing but drink and play video games? Well, if Susan was a more despicable character who forced Henry to do that work so she could be a lazy good-for-nothing and wasn’t a loving mother, this would be a much bigger problem for me. But since it’s Henry that put that responsibility on himself and she’s just going along with it, I can’t say that I agree with them if that’s where the criticism comes from. I would understand, but I don’t agree.

Some minor annoyances in the movie before I head into spoiler territory. As much as I enjoy Silverstone as an actress, and for all intents and purposes, she’s not bad in this, Sheila is a little too 80’s diner cliché for me. She has that nasal-y speech pattern that makes her sound like Fran Drescher, and because she’s youngish, attractive, and bustier, her boobs are out in the open, it’s a little too on the nose for my taste. Thankfully, I do enjoy the playful banter she has with Henry and how she does show that she cares about him later on, lending itself to a pretty tender and heartwarming scene… er… that is if you can ignore the VERY OBVIOUS BAD TOUCH moment. What the hell, Silverman?! You didn’t argue that shit?! Actually, there seems to be quite a few of those in this movie with adults being unnecessarily close to children, but I guess this isn’t a big deal since some of those moments are between a mother and her young children, but still… half an arm distance away, y’all.

It’s pretty hard to talk about the meat of the story without getting into spoiler territory, so that’s what the remainder of this review will be.

***SPOILERS***

 

 

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Wisely hidden from the trailers, Henry dies early on in the movie. This sort of comes out of nowhere and the tone shifts tremendously. The first quarter or third of the movie is all happy-peppy family togetherness, with hints of harsh drama, like why someone should or shouldn’t interfere in public abuse and Henry’s desperation to try and save Christina from Glenn (Dean Norris). But then suddenly, we get an eleven-year-old having a seizure, then immediately told that he has a tumor that’s going to kill him. And I was remarking on the sniper rifle thing and the happy family picture above. Yeah, we haven’t gotten to that point yet, and we’re already treated to a dead child. If this is also a contributing factor to the negativity toward the film, I get that too. It’s almost fairy-tale too happy at first and then the movie throws this at the audience. It would bother me more if the acting wasn’t so damn powerful.

 

Yeah, the acting in these few scenes is absolutely heartbreaking. When Henry deduces that he’s going to die, he’s absolutely paralyzed with fear and uncertainty. The way he requests to be left alone, you can’t help but get invested in the emotions, especially as he later tries to set everyone up after he passes. I know I’ve rambled about Watts a lot already, but I absolutely love her in this movie and a good performance should really be commented on when it warrants. You not only see that shock and uncertainty of how she’s possibly going to take care of herself and Peter, but the utter inner destruction of knowing that she’s saying a slow good-bye to him. Both Lieberher and Watts run through gauntlets of emotions and they’re absolutely fantastic together.

 

And it’s here where that Silverman “bad touch” moment happens. They have a heart to heart and admit that they really do like each other and before she leaves, she plants a kiss on his lips. Yeah… it’s a little too ewie for me. Hell, I think Henry had the same reaction as I did because that kid’s eyes widen. I’m with you, kid. Ew.

 

So when Henry does die, he leaves behind a notebook that goes through every scenario he went through as he tried to call child protective services to save Christina, but utterly failed, going through why any official channels won’t work. And by the way, I’m declaring this a movie line, but when Peter reads Henry’s book, he runs down and hilariously shouts, “Mom! I think Henry wants us to kill Glenn!” Oh my god, I’m still laughing about that. God, I love Tremblay. Even when he’s given thin roles, he knows how to make them entertaining as hell.

 

Not all of the writing is good post-death scene. In fact, a couple of scenes are downright awkward. Susan is told to go home to grieve, but Sheila races after her and have a really weird and senseless conversation. It was such bizarre writing that I don’t actually remember what she was babbling about. Something about her car, or some shit. There’s also a somewhat inappropriate comedy moment when Peter’s at school with a lunch box full of unhealthy food, looking at it like he’s bored, and then says, “Anyone wanna trade from some fruit?” And then a crap ton of hands lay down fruit as they take his treats. Funny, but… this is barely ten minutes after Henry’s death scene. We’re still wrestling with the emotions of that. The comedy is really out of place here.

 

But these gripes don’t anchor the movie down too bad as it starts picking up again when Susan starts following Henry’s instructions, nabs herself a flawless plan to literally murder Glenn and get away with it. It’s so silly to see her taking directions from a recording, especially when Henry’s voice is commenting on things that he couldn’t possibly know would happen. But yet again, this would be a bigger problem if Watts wasn’t so damn hilarious as she discovers that she’s a pretty decent shot with a sniper rifle. Not that she ever utilizes it when she’s got Glenn in her sights, which… didn’t make much sense.

 

Yeah, after she drops off Christina and Peter at their school’s talent show, she’s off to try and kill Glenn. She’s out deep in the woods and you know what she does to lure him out? She makes whistling sounds through a walkie-talkie to which he follows the whistling to the designated place where she’s going to kill him. I say again, a sound that is coming from a walkie-talkie taped to a tree at least a quarter mile away in a forest… Glenn heard that whistling from within his enclosed house. It’s about as stupid and senseless as it sounds. In fact, this whole scene is pretty out there. Her arm knocks over a doohickey which does this thingy- basically, it makes a bunch of noise that she’s supposed to ignore as she snipes a child-abuser and said child abuser doesn’t hear that racket when he’s not that far away. Eventually, all that shizz opens up a collage of family photos that somehow means that Susan can’t pull the trigger. But I do like that when Glenn realizes what she’s up to moments later that he can’t fight against her determination and kills himself, eventually resulting in her adopting Christina at the end of the movie. And as anyone can tell you, I’m a sucker for adoption stories… even though that wasn’t the focus of the movie, it worked well enough for me. Sure, there’s probably a million ways around this situation for the guy. He is the police commissioner after all, and Susan’s a waitress at a diner who doesn’t know how to pay her own taxes. I can’t imagine a court case lasting long in her favor. But the fact that they decided, “Screw it, forced happy ending,” saves a little time and I liked this ending as is.

 

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***END SPOILERS***

Overall, it’s not a perfect film. Far from it, actually. In fact, I hesitate to say that it’s even good, as most of the things that I love about the movie are likely the reasons why it’s not getting well received by critics and audiences. But I won’t lie. I love the acting. I love the family bonding. I love how even within dramatic shift in tones that shouldn’t work still managed to keep me both interested and emotionally invested. It’s hard for me to know how to recommend this movie and who might enjoy it. My highest recommendation is to watch the trailer and get a sense if this movie is for you. If you think it might be, play it safe and see it at a matinee screening, in case you don’t like it, you at least didn’t waste too much money. If you think it’s not for you, I can hardly argue and I see why it wouldn’t be. But as for me, I’m happy I saw this movie and do see myself revisiting it. Maybe not twice at the theaters, I certainly won’t own it on Blu-Ray, but if it was on Netflix or TV while I was channel surfing, I’d watch this again, definitely. Maybe it’s just a guilty pleasure, but it’s still a pleasure to watch it nonetheless.

My honest rating for THE BOOK OF HENRY: 4/5

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