Starring: Owen Wilson (CARS 3 , ZOOLANDER 2 , ANACONDA , and SHANGHAI DAWN, no release date announced), Marion Cotillard (ASSASSIN’S CREED , THE DARK KNIGHT RISES , and INCEPTION ), and Rachel McAdams (DOCTOR STRANGE , MORNING GLORY , THE NOTEBOOK , and the upcoming SHERLOCK HOLMES 3, no release date announced).
In support: Corey Stoll (GOLD , CAFÉ SOCIETY , ANT-MAN , and the upcoming FIRST MAN ), Kathy Bates (BAD SANTA 2 , TITANIC , and TV show AMERICAN HORROR STORY), Michael Sheen (NORMAN , PASSENGERS , UNDERWORLD , and the upcoming BRAD’S STATUS ), Tom Hiddleston (KONG: SKULL ISLAND , I SAW THE LIGHT , THOR , and upcoming Marvel films THOR: RAGNAROK  and AVENGERS: INFINITY WAR ), and Léa Seydoux (THE LOBSTER , 007 SPECTRE , and BLUE IS THE WARMEST COLOR ).
Writer/Director: Woody Allen (CAFÉ SOCIETY, IRRATIONAL MAN , MIGHTY APHRODITE , and the upcoming WONDER WHEEL ). This film does not have a composer. Cinematographer: Darius Khondji (THE LOST CITY OF Z , THE IMMIGRANT , and THE RUINS ).
Gil Pender (Owen Wilson) is on vacation in Paris, trying to find inspiration to complete the novel he’s writing. Though inspiration is slow, he’s quickly fallen in love with Paris and is even considering to move there. His feelings are not shared by his prickly fiancé Inez (Rachel McAdams), and the two butt heads constantly. One night, strolling through the streets of Paris, he ends up lost, but the most bizarre thing happens to him at midnight. He’s picked up by an old fashioned car and somehow finds himself in the 1920’s, meeting all of his historical icons, like Ernest Hemingway (Corey Stoll), Pablo Picasso (Marcial Di Fonzo Bo), F. Scott Fitzgerald (Tom Hiddleston), and even finds possible romance with the beautiful Adriana (Marion Cotillard), a mistress of Picasso.
I was surprised by how much I fell in love with this movie.
On top of being Wilson’s best performance I’ve ever seen in his library, it’s a truly gorgeous film just to look at, making the cinematography just as much the star as the actual characters the story follows. Already I love fantasy films and have a soft spot for rom-coms, and it’s not very often that the two are combined and leave this kind of an impact. While I can’t attest to the accuracy of the film using these historical people in Paris at the exact same time, but I doubt I’m supposed to take all this very literal. It’s a fantasy film after all and more of an appreciation of times long gone and a story that challenges a man to assess his relationship and what he wants for himself. At least, that’s what I got out of it. All I can tell you is that I got sucked into the style, the music, the aesthetics of it all, as well as the phenomenal chemistry between the actors, the comedy, and the romance. It’s a gorgeous film to be sure and I’m sad it took me this long to see it.
My honest rating for MIDNIGHT IN PARIS: 5/5